داستان The Poet and the Peasant صفحه 2

Knowingly, smilingly, the city crowds passed him by. They saw the raw stranger stand in the gutter and stretch his neck at the tall buildings. At this they ceased to smile, and even to look at him. It had been done so often. A few glanced at the antique valise to see what Coney 'attraction' or brand of chewing-gum he might be thus dinning into his memory. But for the most part he was ignored. Even the newsboys looked bored when he scampered like a circus clown out of the way of cabs and street-cars. At Eighth Avenue stood 'Bunco Harry,' with his dyed moustache and shiny, good-natured eyes. Harry was too good an artist not to be pained at the sight of an actor overdoing his part. He edged up to the countryman, who had stopped to open his mouth at a jewellery store window, and shook his head. 'Too thick, pal,' he said critically - 'too thick by a couple of inches.I don't know what your lay is; but you've got the properties on too thick. That hay, now - why, they don't even allow that on Proctor's circuit any more.' 'I don't understand you, mister,' said the green one. 'I'm not lookin' for any circus. I've just run down from Ulster County to look at the town, bein' that the hayin's over with. Gosh! but it's a whopper. I thought Poughkeepsie was some punkins; but this here town is five times as big.' 'Oh, well,' said 'Bunco Harry,' raising his eyebrows, 'I didn't mean to butt in. You don't have to tell. I thought you ought to tone down a little, so I tried to put you wise. Wish you success at your graft, whatever it is. Come and have a drink, anyhow.' 'I wouldn't mind having a glass of lager beer,' acknowledged the other. They went to a caféfrequented by men with smooth faces and shifty eyes, and sat at their drinks. 'I'm glad I come across you, mister,' said Haylocks. 'How'd you like to play a game or two of seven-up? I've got the keerds.' He fished them out of Noah's valise - a rare, inimitable deck, greasy with bacon suppers and grimy with the soil of cornfields. 'Bunco Harry' laughed loud and briefly. 'Not for me, sport,' he said firmly. 'I don't go against that make-up of yours for a cent. But I still say you've overdone it. The Reubs haven't dressed like that since '79. I doubt if you could work Brooklyn for a key-winding watch with that lay-out.' 'Oh, you needn't think I ain't got the money,' boasted Haylocks. He drew forth a tightly rolled mass or bills as large as a teacup, and laid it on the table. 'Got that for my share of grandmother's farm,' he announced. 'There's $950 in that roll. Thought I'd come into the city and look around for a likely business to go into.' 'Bunco Harry' took up the roll of money and looked at it with almost respect in his smiling eyes. 'I've seen worse,' he said critically. 'But you'll never do it in them clothes. You want to get light tan shoes and a black suit and a straw hat with a coloured band, and talk a good deal about Pittsburg and freight differentials, and drink sherry for breakfast in order to work off phony stuff like that.' 'What's his line?' asked two or three shifty-eyed men of 'Bunco Harry' after Haylocks had gathered up his impugned money and departed.

THE OTHER DAY a poet friend of mine, who has lived in close communication with nature all his life, wrote a poem and took it to an editor. It was a living pastoral, full of the genuine breath of the fields, the song of birds, and the pleasant chatter of trickling streams. When the poet called again to see about it, with hopes of a beefsteak dinner in his heart, it was handed back to him with the comment: 'Too artificial.' Several of us met over spaghetti and Dutchess County chianti, and swallowed indignation with the slippery forkfuls. And there we dug a pit for the editor. With us was Conant, a well-arrived writer of fiction - a man who had trod on asphalt all his life, and who had never looked upon bucolic scenes except with sensations of disgust from the windows of express trains. Conant wrote a poem and called it 'The Doe and the Brook.' It was a fine specimen of the kind of work you would expect from a poet who had strayed with Amaryllis only as far as the florist's windows, and whose sole ornithological discussion had been carried on with a waiter. Conant signed this poem, and we sent it to the same editor. But this has very little to do with the story. Just as the editor was reading the first line of the poem, on the next morning, a being stumbled off the West Shore ferryboat, and loped slowly up Forty-second Street. The invader was a young man with light blue eyes, a hanging lip, and hair the exact colour of the little orphan's (afterward discovered to be the earl's daughter) in one of Mr. Blaney's plays. His trousers were corduroy, his coat short-sleeved, with buttons in the middle of his back. One bootleg was outside the corduroys. You looked expectantly, though in vain, at his straw hat for ear-holes, its shape inaugurating the suspicion that it had been ravaged from a former equine possessor. In his hand was a valise - description of it is an impossible task; a Boston man would not have carried his lunch and law books to his office in it. And above one ear, in his hair, was a wisp of hay - the rustic's letter of credit, his badge of innocence, the last clinging touch of the Garden of Eden lingering to shame the goldbrick men.

The next day the doctor said to Sue: 'She's out of danger. You've won. Nutrition and care now - that's all.' And that afternoon Sue came to the bed where Johnsy lay, contentedly knitting a very blue and very useless woollen shoulder scarf, and put one arm around her, pillows and all. 'I have something to tell you, white mouse,' she said. 'Mr. Behrman died of pneumonia today in hospital. He was ill only two days. The janitor found him on the morning of the first day in his room downstairs helpless with pain. His shoes and clothing were wet through and icy cold. They couldn't imagine where he had been on such a dreadful night. And then they found a lantern, still lighted, and a ladder that had been dragged from its place, and some scattered brushes, and a palette with green and yellow colours mixed on it, and - look out the window, dear, at the last ivy leaf on the wall. Didn't you wonder why it never fluttered or moved when the wind blew? Ah, darling, it's Behrman's masterpiece - he painted it there the night that the last leaf fell.' Presently Thomas moved tentatively in his seat, and thoughtfully felt an abrasion or two on his knees and elbows. 'Say, Annie,' said he confidentially, 'maybe it's one of the last dreams of the booze, but I've a kind of a recollection of riding in an automobile with a swell guy that took me to a house full of eagles and arc lights. He fed me on biscuits and hot air, and then kicked me down the front steps. If it was the d t's, why am I so sore?' 'Shut up, you fool,' said Annie. 'If I could find that funny guy's house,' said Thomas, in conclusion, 'I'd go up there some day and punch his nose for him.'

'Pull it up! I want to see,' she ordered, in a whisper. Wearily Sue obeyed. But, lo! after the beating rain and fierce gusts of wind that had endured through the livelong night, there yet stood out against the brick wall one ivy leaf. It was the last on the vine. Still dark green near its stem, but with its serrated edges tinted with the yellow of dissolution and decay, it hung bravely from a branch some twenty feet above the ground. 'It is the last one,' said Johnsy. 'I thought it would surely fall during the night. I heard the wind. It will fall to-day, and I shall die at the same time.' 'Dear, dear!' said Sue, leaning her worn face down to the pillow; 'think of me, if you won't think of yourself. What would I do?' But Johnsy did not answer. The lonesomest thing in all the world is a soul when it is making ready to go on its mysterious, far journey. The fancy seemed to possess her more strongly as one by one the ties that bound her to friendship and to earth were loosed. The day wore away, and even through the twilight they could see the lone ivy leaf clinging to its stem against the wall. And then, with the coming of the night the north wind was again loosed, while the rain still beat against the windows and pattered down from the low Dutch eaves. When it was light enough Johnsy, the merciless, commanded that the shade be raised. The ivy leaf was still there. Johnsy lay for a long time looking at it. And then she called to Sue, who was stirring her chicken broth over the gas stove. 'I've been a bad girl, Sudie,' said Johnsy. 'Something has made that last leaf stay there to show me how wicked I was. It is a sin to want to die. You may bring me a little broth now, and some milk with a little port in it, and - no; bring me a hand-mirror first; and then pack some pillows about me, and I will sit up and watch you cook.' An hour later she said - 'Sudie, some day I hope to paint the Bay of Naples.' The doctor came in the afternoon, and Sue had an excuse to go into the hallway as he left. 'Even chances,' said the doctor, talking Sue's thin, shaking hand in his. 'With good nursing you'll win. And now I must see another case I have downstairs. Behrman, his name is -- some kind of an artist, I believe. Pneumonia, too. He is an old, weak man, and the attack is acute. There is no hope for him; but he goes to the hospital to-day to be made more comfortable.'

Old Behrman was a painter who lived on the ground floor beneath them. He was past sixty and had a Michael Angelo's Moses beard curling down from the head of a satyr along the body of an imp. Behrman was a failure in art. Forty years he had wielded the brush without getting near enough to touch the hem of his Mistress's robe. He had been always about to paint a masterpiece, but had never yet begun it. For several years he had painted nothing except now and then a daub in the line of commerce or advertising. He earned a little by serving as a model to those young artists in the colony who could not pay the price of a professional. He drank gin to excess, and still talked of his coming masterpiece. For the rest he was a fierce little old man, who scoffed terribly at softness in anyone, and who regarded himself as especial mastiff-in-waiting to protect the two young artists in the studio above. Sue found Behrman smelling strongly of juniper berries in his dimly-lighted den below. In one corner was a blank canvas on an easel that had been waiting there for twenty-five years to receive the first line of the masterpiece. She told him of Johnsy's fancy, and how she feared she would, indeed, light and fragile as a leaf herself, float away when her slight hold upon the world grew weaker. Old Behrman, with his red eyes plainly streaming, shouted his contempt and derision for such idiotic imaginings. 'Vass!' he cried. 'Is dere people in de world mit der foolishness to die because leafs dey drop off from a confounded vine? I haf not heard of such a thing. No, I vill not bose as a model for your fool hermit-dunderhead. Vy do you allow dot silly pusiness to come in der prain of her? Ach, dot poor little Miss Yohnsy.' 'She is very ill arid weak,' said Sue, 'and the fever has left her mind morbid and full of strange fancies. Very well, Mr. Behrman, if you do not care to pose for me, you needn't. But I think you are a horrid old - old flibberti-gibbet.' 'You are just like a woman!' yelled Behrman. 'Who said I vill not bose? Go on. I come mit you. For half an hour I haf peen trying to say dot I am ready to bose. Gott! dis is not any blace in which one so goot as Miss Yohnsy shall lie sick. Some day I vill baint a masterpiece, and ve shall all go avay. Gott! yes.' Johnsy was sleeping when they went upstairs. Sue pulled the shade down to the window-sill and motioned Behrman into the other room. In there they peered out the window fearfully at the ivy vine. Then they looked at each other for a moment without speaking. A persistent, cold rain was falling, mingled with snow. Behrman, in his old blue shirt, took his seat as the hermit-miner on an upturned kettle for a rock. When Sue awoke from an hour's sleep the next morning she found Johnsy with dull, wide-open eyes staring at the drawn green shade.

'What is it, dear?' asked Sue. 'Six,' said Johnsy, in almost a whisper. 'They're falling faster now. Three days ago there were almost a hundred. It made my head ache to count them. But now it's easy. There goes another one. There are only five left now.' 'Five what, dear? Tell your Sudie.' 'Leaves. On the ivy vine. When the last one falls I must go too. I've known that for three days. Didn't the doctor tell you?' 'Oh, I never heard of such nonsense,' complained Sue, with magnificent scorn. 'What have old ivy leaves to do with your getting well? And you used to love that vine so, you naughty girl. Don't be a goosey. Why, the doctor told me this morning that your chances for getting well real soon were - let's see exactly what he said - he said the chances were ten to one! Why, that's almost as good a chance as we have in New York when we ride on the street-cars or walk past a new building. Try to take some broth now, and let Sudie go back to her drawing, so she can sell the editor man with it, and buy port wine for her sick child, and porkchops for her greedy self.' 'You needn't get any more wine,' said Johnsy, keeping her eyes fixed out the window. 'There goes another. No, I don't want any broth. That leaves just four. I want to see the last one fall before it gets dark. Then I'll go too.' 'Johnsy, dear,' said Sue, bending over her, 'will you promise me to keep your eyes closed, and not look out of the window until I am done working? I must hand those drawings in by to-morrow. I need the light or I would draw the shade down.' 'Couldn't you draw in the other room?' asked Johnsy coldly. 'I'd rather be here by you,' said Sue. 'Besides, I don't want you to keep looking at those silly ivy leaves.' 'Tell me as soon as you have finished,' said Johnsy, closing her eyes, and lying white and still as a fallen statue, 'because I want to see the last one fall. I'm tired of waiting. I'm tired of thinking. I want to turn loose my hold on everything, and go sailing down, down, just like one of those poor, tired leaves.' 'Try to sleep,' said Sue. 'I must call Behrman up to be my model for the old hermit miner. I'll not be gone a minute. Don't try to move till I come back.'

'She has one chance in - let us say, ten,' he said, as he shook down the mercury in his clinical thermometer. 'And that chance is for her to want to live. This way people have of lining-up on the side of the undertaker makes the entire pharmacopœia look silly. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind?' 'She - she wanted to paint the Bay of Naples some day,' said Sue. 'Paint? - bosh! Has she anything on her mind worth thinking about twice - a man, for instance?' 'A man?' said Sue, with a jews'-harp twang in her voice. 'Is a man worth - but, no, doctor; there is nothing of the kind.' 'Well, it is the weakness, then,' said the doctor. 'I will do all that science, so far as it may filter through my efforts, can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent from the curative power of medicines. If you will get her to ask one question about the new winter styles in cloak sleeves I will promise you a one-in-five chance for her, instead of one in ten.' After the doctor had gone, Sue went into the workroom and cried a Japanese napkin to a pulp. Then she swaggered into Johnsy's room with her drawing-board, whistling ragtime. Johnsy lay, scarcely making a ripple under the bedclothes, with her face toward the window. Sue stopped whistling, thinking she was asleep. She arranged her board and began a pen-and-ink drawing to illustrate a magazine story. Young artists must pave their way to Art by drawing pictures for magazine stories that young authors write to pave their way to Literature. As Sue was sketching a pair of elegant horseshow riding trousers and a monocle on the figure of the hero, an Idaho cowboy, she heard a low sound, several times repeated. She went quickly to the bedside. Johnsy's eyes were open wide. She was looking out the window and counting - counting backward. 'Twelve,' she said, and a little later, 'eleven'; and then 'ten,' and 'nine'; and then 'eight' and 'seven,' almost together. Sue looked solicitously out the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine, gnarled and decayed at the roots, climbed half-way up the brick wall. The cold breath of autumn had stricken its leaves from the vine until its skeleton branches clung, almost bare, to the crumbling bricks.

IN A LITTLE DISTRICT west of Washington Square the streets have run crazy and broken themselves into small strips called 'places.' These 'places' make strange angles and curves. One street crosses itself a time or two. An artist once discovered a valuable possibility in this street. Suppose a collector with a bill for paints, paper and canvas should, in traversing this route, suddenly meet himself coming back, without a cent having been paid on account! So, to quaint old Greenwich Village the art people soon came prowling, hunting for north windows and eighteenth-century gables and Dutch attics and low rents. Then they imported some pewter mugs and a chafing dish or two from Sixth Avenue, and became a 'colony.' At the top of a squatty, three-story brick Sue and Johnsy had their studio. 'Johnsy' was familiar for Joanna. One was from Maine, the other from California. They had met at the table d'hôte of an Eighth Street 'Delmonico's,' and found their tastes in art, chicory salad and bishop sleeves so congenial that the joint studio resulted. That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the colony, touching one here and there with his icy finger. Over on the East Side this ravager strode boldly, smiting his victims by scores, but his feet trod slowly through the maze of the narrow and moss-grown 'places.' Mr. Pneumonia was not what you would call a chivalric old gentleman. A mite of a little woman with blood thinned by Californian zephyrs was hardly fair game for the red-fisted, short-breathed old duffer. But Johnsy he smote; and she lay, scarcely moving, on her painted iron bedstead, looking through the small Dutch window-panes at the blank side of the next brick house. One morning the busy doctor invited Sue into the hallway with a shaggy, grey eyebrow.

'I rented out my third floor back, this evening,' said Mrs. Purdy, across a fine circle of foam. 'A young man took it. He went up to bed two hours ago. 'Now, did ye, Mrs. Purdy, ma'am?' said Mrs. McCool, with intense admiration. 'You do be a wonder for rentin' rooms of that kind. And did ye tell him, then?' she concluded in a husky whisper, laden with mystery. 'Rooms,' said Mrs. Purdy, in her furriest tones, 'are furnished for to rent. I did not tell him, Mrs. McCool.' ' 'Tis right ye are, ma'am; 'tis by renting rooms we kape alive. Ye have the rale sense for business, ma'am. There be many people will rayjict the rentin' of a room if they be tould a suicide has been after dyin' in the bed of it.' 'As you say, we has our living to be making,' remarked Mrs, Purdy. 'Yis, ma'am; 'tis true. 'Tis just one wake ago this day I helped ye lay out the third floor back. A pretty slip of a colleen she was to be killin' herself wid the gas a swate little face she had, Mrs. Purdy, ma'am.' 'She'd a-been called handsome, as you say,' said Mrs. Purdy, assenting but critical, 'but for that mole she had a-growin' by her left eyebrow. Do fill up your glass again, Mrs. McCool.'

He burrowed in crevices and corners, and found corks and cigarettes. These he passed in passive contempt. But once he found in a fold of the matting a half-smoked cigar, and this he ground beneath his heel with a green and trenchant oath. He sifted the room from end to end. He found dreary and ignoble small records of many a peripatetic tenant; but of her whom he sought, and who may have lodged there, and whose spirit seemed to hover there, he found no trace. And then he thought of the housekeeper. He ran from the haunted room downstairs and to a door that showed a crack of light. She came out to his knock. He smothered his excitement as best he could. 'Will you tell me, madam,' he besought her, 'who occupied the room I have before I came?' 'Yes, sir. I can tell you again. 'Twas Sprowls and Mooney, as I said. Miss B'retta Sprowls it was in the theatres, but Missis Mooney she was. My house is well known for respectability. The marriage certificate hung, framed, on a nail over- ' 'What kind of a lady was Miss Sprowls - in looks, I mean?' 'Why, black-haired, sir, short and stout, with a comical face. They left a week ago Tuesday.' 'And before they occupied it?' 'Why, there was a single gentleman connected with the draying business. He left owing me a week. Before him was Missis Crowder and her two children, that stayed four months; and back of them was old Mr. Doyle, whose sons paid for him. He kept the room six months. That goes back a year, sir, and further I do not remember.' He thanked her and crept back to his room. The room was dead. The essence that had vivified it was gone. The perfume of mignonette had departed. In its place was the old, stale odour of mouldy house furniture, of atmosphere in storage. The ebbing of his hope drained his faith. He sat staring at the yellow, singing gaslight. Soon he walked to the bed and began to tear the sheets into strips. With the blade of his knife he drove them tightly into every crevice around windows and door. When all was snug and taut he turned out the light, turned the gas full on again and laid himself gratefully upon the bed. It was Mrs. McCool's night to go with the can for beer. So she fetched it and sat with Mrs. Purdy in one of those subterranean retreats where housekeepers foregather and the worm dieth seldom.

The young tenant in the chair allowed these thoughts to file, soft-shod, through his mind, while there drifted into the room furnished sounds and furnished scents. He heard in one room a tittering and incontinent, slack laughter; in others the monologue of a scold, the rattling of dice, a lullaby, and one crying dully; above him a banjo tinkled with spirit. Doors banged somewhere; the elevated trains roared intermittently; a cat yowled miserably upon a back fence. And he breathed the breath of the house - a dank savour rather than a smell - a cold, musty effluvium as from underground vaults mingled with the reeking exhalations of linoleum and mildewed and rotten woodwork. Then, suddenly, as he rested there, the room was filled with the strong, sweet odour of mignonette. It came as upon a single buffet of wind with such sureness and fragrance and emphasis that it almost seemed a living visitant. And the man cried aloud, 'What, dear?' as if he had been called, and sprang up and faced about. The rich odour clung to him and wrapped him about. He reached out his arms for it, all his senses for the time confused and commingled. How could one be peremptorily called by an odour? Surely it must have been a sound. But, was it not the sound that had touched, that had caressed him? 'She has been in this room,' he cried, and he sprang to wrest from it a token, for he knew he would recognize the smallest thing that had belonged to her or that she had touched. This enveloping scent of mignonette, the odour that she had loved and made her own - whence came it? The room had been but carelessly set in order. Scattered upon the flimsy dresser scarf were half a dozen hairpins - those discreet, indistinguishable friends of womankind, feminine of gender, infinite of mood and uncommunicative of tense. These he ignored, conscious of their triumphant lack of identity. Ransacking the drawers of the dresser he came upon a discarded, tiny, ragged handkerchief. He pressed it to his face. It was racy and insolent with heliotrope; he hurled it to the floor. In another drawer he found odd buttons, a theatre programme, a pawnbroker's card, two lost marshmallows, a book on the divination of dreams. In the last was a woman's black satin hair-bow, which halted him, poised between ice and fire. But the black satin hair-bow also is femininity's demure, impersonal, common ornament, and tells no tales. And then he traversed the room like a hound on the scent, skimming the walls, considering the corners of the bulging matting on his hands and knees, rummaging mantel and tables, the curtains and hangings, the drunken cabinet in the corner, for a visible sign unable to perceive that she was there beside, around, against, within, above him, clinging to him, wooing him, calling him so poignantly through the finer senses that even his grosser ones became cognizant of the call. Once again he answered loudly, 'Yes, dear!' and turned, wild-eyed, to gaze on vacancy, for he could not yet discern form and colour and love and outstretched arms in the odour of mignonette. Oh, God! whence that odour, and since when have odours had a voice to call? Thus he groped.

The guest reclined, inert, upon a chair, while the room, confused in speech as though it were an apartment in Babel, tried to discourse to him of its divers tenantry. A polychromatic rug like some brilliant-flowered, rectangular, tropical islet lay surrounded by a billowy sea of soiled matting. Upon the gay-papered wall were those pictures that pursue the homeless one from house to house - The Huguenot Lovers, The First Quarrel, The Wedding Breakfast, Psyche at the Fountain. The mantel's chastely severe outline was ingloriously veiled behind some pert drapery drawn rakishly askew like the sashes of the Amazonian ballet. Upon it was some desolate flotsam cast aside by the room's marooned when a lucky sail had borne them to a fresh port - a trifling vase or two, pictures of actresses, a medicine bottle, some stray cards out of a deck. One by one, as the characters of a cryptograph become explicit, the little signs left by the furnished room's procession of guests developed a significance. The threadbare space in the rug in front of the dresser told that lovely woman had marched in the throng. Tiny finger-prints on the wall spoke of little prisoners trying to feel their way to sun and air. A splattered stain, raying like the shadow of a bursting bomb, witnessed where a hurled glass or bottle had splintered with its contents against the wall. Across the pier glass had been scrawled with a diamond in staggering letters the name 'Marie.' It seemed that the succession of dwellers in the furnished room had turned in fury - perhaps tempted beyond forbearance by its garish coldness - and wreaked upon it their passions. The furniture was chipped and bruised; the couch, distorted by bursting springs, seemed a horrible monster that had been slain during the stress of some grotesque convulsion. Some more potent upheaval had cloven a great slice from the marble mantel. Each plank in the floor owned its particular cant and shriek as from a separate and individual agony. It seemed incredible that all this malice and injury had been wrought upon the room by those who had called it for a time their home; and yet it may have been the cheated home instinct surviving blindly, the resentful rage at false household gods that had kindled their wrath. A hut that is our own we can sweep and adorn and cherish.

'This is the room,' said the housekeeper, from her furry throat. 'It's a nice room. It ain't often vacant. I had some most elegant people in it last summer - no trouble at all, and paid in advance to the minute. The water's at the end of the hall. Sprowls and Mooney-kept it three months. They done a vaudeville sketch. Miss B'retta Sprowls - you may have heard of her - Oh, that was just the stage names - right there over the dresser is where the marriage certificate hung, framed. The gas is here, and you see there is plenty of closet room. It's a room everybody likes. It never stays idle long.' 'Do you have many theatrical people rooming here?' asked the young man. 'They comes and goes. A good proportion of my lodgers is connected with the theatres. Yes, sir, this is the theatrical district. Actor people never stays long anywhere. I get my share. Yes, they comes and they goes.' He engaged the room, paying for a week in advance. He was tired, he said, and would take possession at once. He counted out the money. The room had been made ready, she said, even to towels and water. As the housekeeper moved away he put, for the thousandth time, the question that he carried at the end of his tongue. 'A young girl - Miss Vashner - Miss Eloise Vashner - do you remember such a one among your lodgers? She would be singing on the stage, most likely. A fair girl, of medium height and slender, with reddish gold hair and a dark mole near her left eyebrow.' 'No, I don't remember the name. Them stage people has names they change as often as their rooms. They comes and they goes. No, I don't call that one to mind.' No. Always no. Five months of ceaseless interrogation and the inevitable negative. So much time spent by day in questioning managers, agents, schools and choruses; by night among the audiences of theatres from all-star casts down to music-halls so low that he dreaded to find what he most hoped for. He who had loved her best had tried to find her. He was sure that since her disappearance from home this great water-girt city held her somewhere, but it was like a monstrous quicksand, shifting its particles constantly, with no foundation, its upper granules of to-day buried to-morrow in ooze and slime. The furnished room received its latest guest with a first glow of pseudo-hospitality, a hectic, haggard, perfunctory welcome like the specious smile of a demirep. The sophistical comfort came in reflected gleams from the decayed furniture, the ragged brocade upholstery of a couch and two chairs, a footwide cheap pier glass between the two windows, from one or two gilt picture frames and a brass bedstead in a corner.

RESTLESS, SHIFTING, FUGACIOUS as time itself, is a certain vast bulk of the population of the redbrick district of the lower West Side. Homeless, they have a hundred homes. They flit from furnished room to furnished room, transients for ever - transients in abode, transients in heart and mind. They sing 'Home Sweet Home' in ragtime; they carry their lares et penates in a bandbox; their vine is entwined about a picture hat; a rubber plant is their fig tree. Hence the houses of this district, having had a thousand dwellers, should have a thousand tales to tell, mostly dull ones, no doubt; but it would be strange if there could not be found a ghost or two in the wake of all these vagrant ghosts. One evening after dark a young man prowled among these crumbling red mansions, ringing their bells. At the twelfth he rested his lean hand-baggage upon the step and wiped the dust from his hat-band and forehead. The bell sounded faint and far away in some remote, hollow depths. To the door of this, the twelfth house whose bell he had rung, came a housekeeper who made him think of an unwholesome, surfeited worm that had eaten its nut to a hollow shell and now sought to fill the vacancy with edible lodgers. He asked if there was a room to let. 'Come in,' said the housekeeper. Her voice came from her throat; her throat seemed lined with fur. 'I have the third floor back, vacant since a week back. Should you wish to look at it?' The young man followed her up the stairs. A faint light from no particular source mitigated the shadows of the halls. They trod noiselessly upon a stair carpet that its own loom would have forsworn. It seemed to have become vegetable; to have degenerated in that rank, sunless air to lush lichen or spreading moss that grew in patches to the staircase and was viscid under the foot like organic matter. At each turn of the stairs were vacant niches in the wall. Perhaps plants had once been set within them. If so they had died in that foul and tainted air. It may be that statues of the saints had stood there, but it was not difficult to conceive that imps and devils had dragged them forth in the darkness and down to the unholy depths of some furnished pit below.

'Oh, that stuff you gave me!' said Chunk broadening his grin; 'well, it was this way. I sat down at the supper table last night at Riddle's, and I looked at Rosy, and I says to myself, "Chunk, if you get the girl get her on the square - don't try any hocus-pocus with a thoroughbred like her." And I keeps the paper you give me in my pocket. And then my lamps falls on another party present, who, I says to myself, is failin' in a proper affection toward his comin' son-in-law, so I watches my chance and dumps that powder in old man Riddle's coffee - see?' moment immovable. For this odour belonged to Miss Leslie; it was her own, and hers only. The odour brought her vividly, almost tangibly before him. The world of finance dwindled suddenly to a speck. And she was in the next room - twenty steps away. 'By George, I'll do it now,' said Maxwell, half aloud. 'I'll ask her now. I wonder I didn't do it long ago.' He dashed into the inner office with the haste of a short trying to cover. He charged upon the desk of the stenographer. She looked up at him with a smile. A soft pink crept over her cheek, and her eyes were kind and frank. Maxwell leaned one elbow on her desk. He still clutched fluttering papers with both hands and the pen was above his ear. 'Miss Leslie,' he began hurriedly, 'I have but a moment to spare. I want to say something in that moment. Will you be my wife? I haven't had time to make love to you in the ordinary way, but I really do love you. Talk quick, please - those fellows are clubbing the stuffing out of Union Pacific' 'Oh, what are you talking about?' exclaimed the young lady. She rose to her feet and gazed upon him, round-eyed. 'Don't you understand?' said Maxwell restively. 'I want you to marry me. I love you, Miss Leslie. I wanted to tell you, and I snatched a minute when things had slackened up a bit. They're calling me for the 'phone now. Tell 'em to wait a minute, Pitcher. Won't you, Miss Leslie?' The stenographer acted very queerly. At first she seemed overcome with amazement; then tears flowed from her wondering eyes; and then she smiled sunnily through them, and one of her arms slid tenderly about the broker's neck. 'I know now,' she said softly. 'It's this old business that has driven everything else out of your head for the time. I was frightened at first. Don't you remember, Harvey? We were married last evening at eight o'clock in the Little Church Around the Corner.'

Ikey went behind the prescription desk. There he crushed to a powder two soluble tablets, each containing a quarter of a grain of morphia. To them he added a little sugar of milk to increase the bulk, and folded the mixture neatly in a white paper. Taken by an adult this powder would ensure several hours of heavy slumber without danger to the sleeper. This he handed to Chunk McGowan, telling him to administer it in a liquid, if possible, and received the hearty thanks of the backyard Lochinvar. The subtlety of Ikey's action becomes apparent upon recital of his subsequent move. He sent a messenger for Mr. Riddle and disclosed the plans of McGowan for eloping with Rosy. Mr. Riddle was a stout man, brick-dusty of complexion and sudden in action. 'Much obliged,' he said briefly to Ikey. 'The lazy Irish loafer! My own room's just above Rosy's, I'll just go up there myself after supper and load the shot-gun and wait. If he comes in my backyard he'll go away in an ambulance instead of a bridal chaise.' With Rosy held in the clutches of Morpheus for a manyhours' deep slumber, and the bloodthirsty parent waiting, armed and forewarned, Ikey felt that his rival was close, indeed, upon discomfiture. All night in the Blue Light Store he waited at his duties for chance news of the tragedy, but none came. At eight o'clock in the morning the day clerk arrived and Ikey started hurriedly for Mrs. Riddle's to learn the outcome. And, lo! as he stepped out of the store who but Chunk McGowan sprang from a passing street-car and grasped his hand - Chunk McGowan with a victor's smile and flushed with joy. 'Pulled it off,' said Chunk with Elysium in his grin. 'Rosy hit the fire-escape on time to a second and we was under the wire at the Reverend's at 9 . 30 1/ 4. She's up at the flat - she cooked eggs this mornin' in a blue kimono - Lord! how lucky I am! You must pace up some day, Ikey, and feed with us. I've got a job down near the bridge, and that's where I'm heading for now.' 'The - the powder?' stammered Ikey.

'Old man Riddle don't like me a little bit,' went on the uneasy suitor, bent upon marshalling his arguments. 'For a week he hasn't let Rosy step outside the door with me. If it wasn't for losin' a boarder they'd have bounced me long ago. I'm makin' $20 a week and she'll never regret flyin' the coop with Chunk McGowan.' 'You will excuse me, Chunk,' said Ikey. 'I must make a prescription that is to be called for soon.' 'Say,' said McGowan, looking up suddenly, 'say, Ikey, ain't there a drug of some kind - some kind of powders that'll make a girl like you better if you give 'em to her?' Ikey's lip beneath his nose curled with the scorn of superior enlightenment; but before he could answer, McGowan continued: 'Tim Lacy told me once that he got some from a croaker uptown and fed 'em to his girl in soda water. From the very first dose he was ace-high and everybody else looked like thirty cents to her. They was married in less than two weeks.' Strong and simple was Chunk McGowan. A better reader of men than Ikey was could have seen that his tough frame was strung upon fine wires. Like a good general who was about to invade the enemy's territory he was seeking to guard every point against possible failure. 'I thought,' went on Chunk hopefully, 'that if I had one of them powders to give Rosy when I see her at supper to-night it might brace her up and keep her from reneging on the proposition to skip. I guess she don't need a mule team to drag her away, but women are better at coaching than they are at running bases. If the stuff'll work just for a couple of hours it'll do the trick.' 'When is this foolishness of running away to be happening?' asked Ikey. 'Nine o'clock,' said Mr. McGowan. 'Supper's at seven. At eight Rosy goes to bed with a headache. At nine old Parvenzano lets me through to his backyard, where there's a board off Riddle's fence, next door. I go under her window and help her down the fireescape. We've got to make it early on the preacher's account. It's all dead easy if Rosy don't balk when the flag drops. Can you fix me one of them powders, Ikey?' Ikey Schoenstein rubbed his nose slowly. 'Chunk,' said he, 'it is of drugs of that nature that pharmaceutists must have much carefulness. To you alone of my acquaintance would I entrust a powder like that. But for you I shall make it, and you shall see how it makes Rosy to think of you.'

Mr. McGowan was also striving to catch the bright smiles tossed about by Rosy. But he was no out-fielder as Ikey was; he picked them off the bat. At the same time he was Ikey's friend and customer, and often dropped in at the Blue Light Drug Store to have a bruise painted with iodine or get a cut rubber-plastered after a pleasant evening spent along the Bowery. One afternoon McGowan drifted in in his silent, easy way, and sat, comely, smoothed-faced, hard, indomitable, good-natured, upon a stool. 'Ikey,' said he, when his friend had fetched his mortar and sat opposite, grinding gum benzoin to a powder, 'get busy with your ear. It's drugs for me if you've got the line I need.' Ikey scanned the countenance of Mr. McGowan for the usual evidences of conflict, but found none. 'Take your coat off,' he ordered. 'I guess already that you have been stuck in the ribs with a knife. I have many times told you those Dagoes would do you up.' Mr. McGowan smiled. 'Not them,' he said. 'Not any Dagoes. But you've located the diagnosis all right enough - it's under my coat, near the ribs. Say! Ikey - Rosy and me are goin' to run away and get married to-night.' Ikey's left forefinger was doubled over the edge of the mortar, holding it steady. He gave it a wild rap with the pestle, but felt it not. Meanwhile Mr. McGowan's smile faded to a look of perplexed gloom. 'That is,' he continued, 'if she keeps in the notion until the time comes. We've been layin' pipes for the gateway for two weeks. One day she says she will; the same evenin' she says nixy. We've agreed on to-night, and Rosy's stuck to the affirmative this time for two whole days. But it's five hours yet till the time, and I'm afraid she'll stand me up when it comes to the scratch.' 'You said you wanted drugs,' remarked Ikey. Mr. McGowan looked ill at ease and harassed - a condition opposed to his usual line of demeanour. He made a patent-medicine almanac into a roll and fitted it with unprofitable carefulness about his finger. 'I wouldn't have this double handicap make a false start to-night for a million,' he said. 'I've got a little flat up in Harlem all ready, with chrysanthemums on the table and a kettle ready to boil. And I've engaged a pulpit pounder to be ready at his house for us at 9.30. It's got to come off. And if Rosy don't change her mind again!' - Mr. McGowan ceased, a prey to his doubts. 'I don't see then yet,' said Ikey shortly, 'what makes it that you talk of drugs, or what I can be doing about it.'

THE BLUE LIGHT DRUG STORE is down-town, between the Bowery and First Avenue, where the distance between the two streets is the shortest. The Blue Light does not consider that pharmacy is a thing of bric-a-brac, scent and ice-cream soda. If you ask it for a pain-killer it will not give you a bonbon. The Blue Light scorns the labour-saving arts of modern pharmacy. It macerates its opium and percolates its own laudanum and paregoric. To this day pills are made behind its tall prescription desk - pills rolled out on its own pill-tile, divided with a spatula, rolled with the finger and thumb, dusted with calcined magnesia and delivered in little round, pasteboard pill-boxes. The store is on a corner about which coveys of ragged-plumed, hilarious children play and become candidates for the cough-drops and soothing syrups that wait for them inside. Ikey Schoenstein was the night clerk of the Blue Light and the friend of his customers. Thus it is on the East Side, where the heart of pharmacy is not glacé. There, as it should be, the druggist is a counsellor, a confessor, an adviser, an able and willing missionary and mentor whose learning is respected, whose occult wisdom is venerated and whose medicine is often poured, untasted, into the gutter. Therefore Ikey's corniform, bespectacled nose and narrow, knowledge-bowed figure was well known in the vicinity of the Blue Light, and his advice and notice were much desired. Ikey roomed and breakfasted at Mrs. Riddle's, two squares away. Mrs. Riddle had a daughter named Rosy. The circumlocution has been in vain - you must have guessed it - Ikey adored Rosy. She tinctured all his thoughts; she was the compound extract of all that was chemically pure and officinal - the dispensatory contained nothing equal to her. But Ikey was timid, and his hopes remained insoluble in the menstruum of his backwardness and fears. Behind his counter he was a superior being, calmly conscious of special knowledge and worth; outside, he was a weak-kneed, purblind, motorman-cursed rambler, with ill-fitting clothes stained with chemicals and smelling of socotrine aloes and valerianate of ammonia. The fly in Ikey's ointment (thrice welcome, pat trope!) was Chunk McGowan.

At a quiet place on a safe street I tightened the line of my custodian in front of an attractive, refined saloon. I made a dead-ahead scramble for the doors, whining like a dog in the press despatches that lets the family know that little Alice is bogged while gathering lilies in the brook. 'Why, darn my eyes,' says the old man, with a grin; 'darn my eyes if the saffron-coloured son of a seltzer lemonade ain't asking me in to take a drink. Lemme see - how long's it been since I saved shoe leather by keeping one foot on the footrest? I believe I'll - ' I knew I had him. Hot Scotches he took, sitting at a table. For an hour he kept the Campbells coming. I sat by his side rapping for the waiter with my tail, and eating free lunch such as mamma in her flat never equalled with her homemade truck bought at a delicatessen store eight minutes before papa comes home. When the products of Scotland were all exhausted except the rye bread the old man unwound me from the table leg and played me outside like a fisherman plays a salmon. Out there he took off my collar and threw it into the street. 'Poor doggie,' says he; 'good doggie. She shan't kiss you any more. ' S a darned shame. Good doggie, go away and get run over by a street car and be happy.' I refused to leave. I leaped and frisked around the old man's legs happy as a pug on a rug. 'You old flea-headed woodchuck-chaser,' I said to him - 'you moon-baying, rabbit-pointing, egg-stealing old beagle, can't you see that I don't want to leave you? Can't you see that we're both Pups in the Wood and the missis is the cruel uncle after you with the dish towel and me with the flea liniment and a pink bow to tie on my tail. Why not cut that all out and be pards for evermore?' Maybe you'll say he didn't understand - maybe he didn't. But he kind of got a grip on the Hot Scotches, and stood still for a minute, thinking. 'Doggie,' says he finally, 'we don't live more than a dozen lives on this earth, and very few of us live to be more than 300. If I ever see that flat any more I'm a flat, and if you do you're flatter; and that's no flattery. I'm offering 60 to 1 that Westward Ho wins out by the length of a dachshund.' There was no string, but I frolicked along with my master to the Twenty-third Street ferry. And the cats on the route saw reason to give thanks that prehensile claws had been given them. On the Jersey side my master said to a stranger who stood eating a currant bun: 'Me and my doggie, we are bound for the Rocky Mountains.' But what pleased me most was when my old man pulled both of my ears until I howled, and said: 'You common, monkey-headed, rat-tailed, sulphur-coloured son of a door-mat, do you know what I'm going to call you?' I thought of 'Lovey,' and I whined dolefully. 'I'm going to call you "Pete," ' says my master; and if I'd had five tails I couldn't have done enough wagging to do justice to the occasion.

One evening when we were thus promenading, and I was trying to look like a prize St. Bernard, and the old man was trying to look like he wouldn't have murdered the. first organ-grinder he heard play Mendelssohn's wedding-march, I looked up at him and said, in my way: 'What are you looking so sour about, you oakum trimmed lobster? She don't kiss you. You don't have to sit on her lap and listen to talk that would make the book of a musical comedy sound like the maxims of Epictetus. You ought to be thankful you're not a dog. Brace up, Benedick, and bid the blues begone.' The matrimonial mishap looked down at me with almost canine intelligence in his face. 'Why, doggie,' says he, 'good doggie. You almost look like you could speak. What is it, doggie - Cats?' Cats! Could speak! But, of course, he couldn't understand. Humans were denied the speech of animals. The only common ground of communication upon which dogs and men can get together is in fiction. In the flat across the hall from us lived a lady with a black-andtan terrier. Her husband strung it and took it out every evening, but he always came home cheerful and whistling. One day I touched noses with the black-and-tan in the hall, and I struck him for an elucidation. 'See, here, Wiggle-and-Skip,' I says, 'you know that it ain't the nature of a real man to play dry-nurse to a dog in public. I never saw one leashed to a bow-wow yet that didn't look like he'd like to lick every other man that looked at him. But your boss comes in every day as perky and set up as an amateur prestidigitator doing the egg trick. How does he do it? Don't tell me he likes it.' 'Him?' says the black-and-tan. 'Why, he uses Nature's Own Remedy. He gets spifflicated. At first when we go out he's as shy as the man on the steamer who would rather play pedro when they make 'em all jackpots. By the time we've been in eight saloons he don't care whether the thing on the end of his line is a dog or a catfish. I've lost two inches of my tail trying to sidestep those swinging doors.' The pointer I got from that terrier - vaudeville please copy - set me to thinking. One evening about six o'clock my mistress ordered him to get busy and do the ozone act for Lovey. I have concealed it until now, but that is what she called me. The black-and-tan was called 'Tweetness.' I consider that I have the bulge on him as far as you could chase a rabbit. Still 'Lovey' is something of a nomenclatural tin-can on the tail of one's self-respect.

From a pedigreed yellow pup I grew up to be an anonymous yellow cur looking like a cross between an Angora cat and a box of lemons. But my mistress never tumbled. She thought that the two primeval pups that Noah chased into the ark were but a collateral branch of my ancestors. It took two policemen to keep her from entering me at the Madison Square Garden for the Siberian bloodhound prize. I'll tell you about that flat. The house was the ordinary thing in New York, paved with Parian marble in the entrance hall and cobblestones above the first floor. Our flat was three fl - well, not flights - climbs up. My mistress rented it unfurnished, and put in the regular things - 1903 antique upholstered parlour set, oil chromo of geishas in a Harlem tea-house, rubber plant and husband. By Sirius! there was a biped I felt sorry for. He was a little man with sandy hair and whiskers a good deal like mine. Hen-pecked? - well, toucans and flamingoes and pelicans all had their bills in him. He wiped the dishes and listened to my mistress tell about the cheap, ragged things the lady with the squirrel-skin coat on the second floor hung out on her line to dry. And every evening while she was getting supper she made him take me out on the end of a string for a walk. If men knew how women pass the time when they are alone they'd never marry. Laura Lean Jibbey, peanut brittle, a little almond cream on the neck muscles, dishes unwashed, half an hour's talk with the iceman, reading a package of old letters, a couple of pickles and two bottles of malt extract, one hour peeking through a hole in the window shade into the flat across the airshaft - that's about all there is to it. Twenty minutes before time for him to come home from work she straightens up the house, fixes her rat so it won't show, and gets out a lot of sewing for a ten-minute bluff. I led a dog's life in that flat. 'Most all day I lay there in my corner watching the fat woman kill time. I slept sometimes and had pipe dreams about being out chasing cats into basements and growling at old ladies with black mittens, as a dog was intended to do. Then she would pounce upon me with a lot of that drivelling poodle palaver and kiss me on the nose - but what could I do? A dog can't chew cloves. I began to feel sorry for Hubby, dog my cats if I didn't. We looked so much alike that people noticed it when we went out; so we shook the streets that Morgan's cab drives down, and took to climbing the piles of last December's snow on the streets where cheap people live.

I DON'T SUPPOSE it will knock any of you people off your perch to read a contribution from an animal. Mr. Kipling and a good many others have demonstrated the fact that animals can express themselves in remunerative English, and no magazine goes to press nowadays without an animal story in it, except the old-style monthlies that are still running pictures of Bryan and the Mont Pelée horror. But you needn't look for any stuck-up literature in my piece, such as Bearoo, the bear, and Snakoo, the snake, and Tammanoo, the tiger, talk in the jungle books. A yellow dog that's spent most of his life in a cheap New York flat, sleeping in a corner on an old sateen underskirt (the one she spilled port wine on at the Lady Longshoremen's banquet), mustn't be expected to perform any tricks with the art of speech. I was born a yellow pup; date, locality, pedigree and weight unknown. The first thing I can recollect, an old woman had me in a basket at Broadway and Twenty-third trying to sell me to a fat lady. Old Mother Hubbard was boosting me to beat the band as a genuine Pomeranian-Hambletonian-Red-Irish-Cochin-ChinaStoke-Pogis fox terrier. The fat lady chased a V around among the samples of gros grain flannelette in her shopping-bag till she cornered it, and gave up. From that moment I was a pet - a mamma's own wootsey squidlums. Say, gentle reader, did you ever have a 200-pound woman breathing a flavour of Camembert cheese and Peau d'Espagne pick you up and wallop her nose all over you, remarking all the time in an Emma Eames tone of voice: 'Oh, oo's um oodlum, doodlum, woodlum, toodlum, bitsy-witsy skoodlums?'

Disconsolate, Soapy ceased his unavailing racket. Would never a policeman lay hands on him? In his fancy the Island seemed an unattainable Arcadia. He buttoned his thin coat against the chilling wind. In a cigar store he saw a well-dressed man lighting a cigar at a swinging light. His silk umbrella he had set by the door on entering. Soapy stepped inside, secured the umbrella and sauntered off with it slowly. The man at the cigar light followed hastily. 'My umbrella,' he said sternly. 'Oh, is it?' sneered Soapy, adding insult to petit larceny. 'Well, why don't you call a policeman? I took it. Your umbrella! Why don't you call a cop? There stands one at the corner.' The umbrella owner slowed his steps. Soapy did likewise, with a presentiment that luck would again run against him. The policeman looked at the two curiously. 'Of course,' said the umbrella man - 'that is - well, you know how these mistakes occur - I - if it's your umbrella I hope you'll excuse me - I picked it up this morning in a restaurant - If you recognize it as yours, why - I hope you'll - ' 'Of course it's mine,' said Soapy viciously. The ex-umbrella man retreated. The policeman hurried to assist a tall blonde in an opera cloak across the street in front of a street car that was approaching two blocks away. Soapy walked eastward through a street damaged by improvements. He hurled the umbrella wrathfully into an excavation. He muttered against the men who wear helmets and carry clubs. Because he wanted to fall into their clutches, they seemed to regard him as a king who could do no wrong. At length Soapy reached one of the avenues to the east where the glitter and turmoil was but faint. He set his face down this toward Madison Square, for the homing instinct survives even when the home is a park bench. But on an unusually quiet corner Soapy came to a standstill. Here was an old church, quaint and rambling and gabled. Through one violet-stained window a soft light glowed, where, no doubt, the organist loitered over the keys, making sure of his mastery of the coming Sabbath anthem. For there drifted out to Soapy's ears sweet music that caught and held him transfixed against the convolutions of the iron fence. The moon was above, lustrous and serene; vehicles and pedestrians were few; sparrows twittered sleepily in the eaves - for a little while the scene might have been a country churchyard.

Soapy straightened the lady missionary's ready-made tie, dragged his shrinking cuffs into the open, set his hat at a killing cant and sidled toward the young woman. He made eyes at her, was taken with sudden coughs and 'hems,' smiled, smirked and went brazenly through the impudent and contemptible litany of the 'masher.' With half an eye Soapy saw that the policeman was watching him fixedly. The young woman moved away a few steps, and again bestowed her absorbed attention upon the shaving mugs. Soapy followed, boldly stepping to her side, raised his hat and said: 'Ah there, Bedelia! Don't you want to come and play in my yard?' The policeman was still looking. The persecuted young woman had but to beckon a finger and Soapy would be practically en route for his insular haven. Already he imagined he could feel the cosy warmth of the station-house. The young woman faced him and, stretching out a hand, caught Soapy's coat-sleeve. 'Sure, Mike,' she said joyfully, 'if you'll blow me to a pail of suds. I'd have spoke to you sooner, but the cop was watching.' With the young woman playing the clinging ivy to his oak Soapy walked past the policeman, overcome with gloom. He seemed doomed to liberty. At the next corner he shook off his companion and ran. He halted in the district where by night are found the lightest streets, hearts, vows and librettos. Women in furs and men in greatcoats moved gaily in the wintry air. A sudden fear seized Soapy that some dreadful enchantment had rendered him immune to arrest. The thought brought a little of panic upon it, and when he came upon another policeman lounging grandly in front of a transplendent theatre he caught at the immediate straw of 'disorderly conduct.' On the sidewalk Soapy began to yell drunken gibberish at the top of his harsh voice. He danced, howled, raved and otherwise disturbed the welkin. The policeman twirled his club, turned his back to Soapy and remarked to a citizen: ' 'Tis one of them Yale lads celebratin' the goose egg they give to the Hartford College. Noisy; but no harm. We've instructions to lave them be.'

At a corner of Sixth Avenue electric lights and cunningly displayed wares behind plate-glass made a shop window conspicuous. Soapy took a cobblestone and dashed it through the glass. People came running round the corner, a policeman in the lead. Soapy stood still, with his hands in his pockets, and smiled at the sight of brass buttons. 'Where'sthe man that done that?' inquired the officer excitedly. 'Don't you figure out that I might have had something to do with it?' said Soapy, not without sarcasm, but friendly, as one greets good fortune. The policeman's mind refused to accept Soapy even as a clue. Men who smash windows do not remain to parley with the law's minions. They take to their heels. The policeman saw a man halfway down the block running to catch a car. With drawn club he joined in the pursuit. Soapy, with disgust in his heart, loafed along, twice unsuccessful. On the opposite side of the street was a restaurant of no great pretensions. It catered to large appetites and modest purses. Its crockery and atmosphere were thick; its soup and napery thin. Into this place Soapy took his accusive shoes and tell-tale trousers without challenge. At a table he sat and consumed beefsteak, flapjacks, doughnuts and pie. And then to the waiter he betrayed the fact that the minutest coin and himself were strangers. 'Now, get busy and call a cop,' said Soapy. 'And don't keep a gentleman waiting.' 'No cop for youse,' said the waiter, with a voice like butter cakes and an eye like the cherry in a Manhattan cocktail. 'Hey, Con!' Neatly upon his left ear on the callous pavement two waiters pitched Soapy. He arose, joint by joint, as a carpenter's rule opens, and beat the dust from his clothes. Arrest seemed but a rosy dream. The Island seemed very far away. A policeman who stood before a drug store two doors away laughed and walked down the street. Five blocks Soapy travelled before his courage permitted him to woo capture again. This time the opportunity presented what he fatuously termed to himself a 'cinch.' A young woman of a modest and pleasing guise was standing before a show window gazing with sprightly interest at its display of shaving mugs and inkstands, and two yards from the window a large policeman of severe demeanour leaned against a water-plug. It was Soapy's design to assume the role of the despicable and execrated 'masher.' The refined and elegant appearance of his victim and the contiguity of the conscientious cop encouraged him to believe that he would soon feel the pleasant official clutch upon his arm that would ensure his winter quarters on the right little, tight little isle.

There was an endless round of institutions, municipal and eleemosynary, on which he might set out and receive lodging and food accordant with the simple life. But to one of Soapy's proud spirit the gifts of charity are encumbered. If not in coin you must pay in humiliation of spirit for every benefit received at the hands of philanthropy. As Caesar had his Brutus, every bed of charity must have its toll of a bath, every loaf of bread its compensation of a private and personal inquisition. Wherefore it is better to be a guest of the law, which, though conducted by rules, does not meddle unduly with a gentleman's private affairs. Soapy, having decided to go to the Island, at once set about accomplishing his desire. There were many easy ways of doing this. The pleasantest was to dine luxuriously at some expensive restaurant; and then, after declaring insolvency, be handed over quietly and without uproar to a policeman. An accommodating magistrate would do the rest. Soapy left his bench and strolled out of the square and across the level sea of asphalt, where Broadway and Fifth Avenue flow together, Up Broadway he turned, and halted at a glittering café, where are gathered together nightly the choicest products of the grape, the silkworm and the protoplasm. Soapy had confidence in himself from the lowest button of his vest upward. He was shaven, and his coat was decent and his neat black, ready-tied four-in-hand had been presented to him by a lady missionary on Thanksgiving Day. If he could reach a table in the restaurant unsuspected success would be his. The portion of him that would show above the table would raise no doubt in the waiter's mind. A roasted mallard duck, thought Soapy, would be about the thing - with a bottle of Chablis, and then Camembert, a demi-tasse and a cigar. One dollar for the cigar would be enough. The total would not be so high as to call forth any supreme manifestation of revenge from the café management; and yet the meat would leave him filled and happy for the journey to his winter refuge. But as Soapy set foot inside the restaurant door the head waiter's eye fell upon his frayed trousers and decadent shoes. Strong and ready hands turned him about and conveyed him in silence and haste to the sidewalk and averted the ignoble fate of the menaced mallard. Soapy turned off Broadway. It seemed that his route to the coveted Island was not to be an epicurean one. Some other way of entering limbo must be thought of.

داستان کوتاه The Cop and the Anthem

O N HIS BENCH IN MADISON SQUARE Soapy moved uneasily. When wild goose honk high of nights, and when women without sealskin coats grow kind to their husbands, and when Soapy moves uneasily on his bench in the park, you may know that winter is near at hand. A dead leaf fell in Soapy's lap. That was Jack Frost's card. Jack is kind to the regular denizens of Madison Square, and gives fair warning of his annual call. At the corners of four streets he hands his pasteboard to the North Wind, footman of the mansion of All Outdoors, so that the inhabitants thereof may make ready. Soapy's mind became cognizant of the fact that the time had come for him to resolve himself into a singular Committee of Ways and Means to provide against the coming rigour. And therefore he moved uneasily on his bench. The hibernatorial ambitions of Soapy were not of the highest. In them were no considerations of Mediterranean cruises, of soporific Southern skies or drifting in the Vesuvian Bay. Three months on the Island was what his soul craved. Three months of assured board and bed and congenial company, safe from Boreas and bluecoats, seemed to Soapy the essence of things desirable. For years the hospitable Blackwell's had been his winter quarters. Just as his more fortunate fellow New Yorkers had bought their tickets to Palm Beach and the Riviera each winter, so Soapy had made his humble arrangements for his annual hegira to the Island. And now the time was come. On the previous night three Sabbath newspapers, distributed beneath his coat, about his ankles and over his lap, had failed to repulse the cold as he slept on his bench near the spurting fountain in the ancient square. So the Island loomed large and timely in Soapy's mind. He scorned the provisions made in the name of charity for the city's dependents, In Soapy's opinion the Law was more benign than Philanthropy.

The knife fell and rang upon the floor. Cold steel drawn in the rooms of the Give and Take Association! Such a thing had never happened before. Every one stood motionless for a minute. Andy Geoghan kicked the stiletto with the toe of his shoe curiously, like an antiquarian who has come upon some ancient weapon unknown to his learning. And then O'Sullivan hissed something unintelligible between his teeth. Dempsey and the Board exchanged looks. And then Dempsey looked at O'Sullivan without anger as one looks at a stray dog, and nodded his head in the direction of the door. 'The back stairs, Giuseppi,' he said briefly. 'Somebody'll pitch your hat down after you.' Maggie walked up to Dempsey Donovan. There was a brilliant spot of red in her cheeks, down which slow tears were running. But she looked him bravely in the eye. 'I knew it, Dempsey,' she said, as her eyes grew dull even in their tears. 'I knew he was a Guinea. His name's Tony Spinelli. I hurried in when they told me you and him was scrappin'. Them Guineas always carries knives. But you don't understand, Dempsey. I never had a fellow in my life. I got tired of comin' with Anna and Jimmy every night, so I fixed it with him to call himself O'Sullivan, and brought him along. I knew there'd be nothin' doin' for him if he came as a Dago. I guess I'll resign from the club now.' Dempsey turned to Andy Geoghan. 'Chuck that cheese slicer out of the window,' he said, 'and tell 'em inside that Mr. O'Sullivan has had a telephone message to go down to Tammany Hall.' And then he turned back to Maggie. 'Say, Mag,' he said, 'I'll see you home. And how about next Saturday night? Will you come to the hop with me if I call around for you?' It was remarkable how quickly Maggie's eyes could change from dull to a shining brown. 'With you, Dempsey?' she stammered. 'Say - will a duck swim?'

Dempsey's eyes brightened. He held up an inspired forefinger as though a brilliant idea had struck him. 'I've got it now,' he said cordially. 'It was just a little mistake. You ain't no O'Sullivan. You are a ring-tailed monkey. Excuse us for not recognizing you at first.' O'Sullivan's eye flashed. He made a quick movement, but Andy Geoghan was ready and caught his arm. Dempsey nodded at Andy and William McMahan, the secretary of the club, and walked rapidly toward a door at the rear of the hall. Two other members of the Give and Take Association swiftly joined the little group. Terry O'Sullivan was now in the hands of the Board of Rules and Social Referees. They spoke to him briefly and softly, and conducted him out through the same door at the rear. This movement on the part of the Clover Leaf members requires a word of elucidation. Back of the association hall was a smaller room rented by the club. In this room personal difficulties that arose on the ballroom floor were settled, man to man, with the weapons of nature, under the supervision of the Board. No lady could say that she had witnessed a fight at a Clover Leaf hop in several years. Its gentlemen members guaranteed that. So easily and smoothly had Dempsey and the Board done their preliminary work that many in the hall had not noticed the checking of the fascinating O'Sullivan's social triumph. Among these was Maggie. She looked about for her escort. 'Smoke up!' said Rose Cassidy. 'Wasn't you on? Demps Donovan picked a scrap with your Lizzie-boy, and they've waltzed out to the slaughter-room with him. How's my hair look done up this way, Mag?' Maggie laid a hand on the bosom of her cheesecloth waist. 'Gone to fight with Dempsey!' she said breathlessly. 'They've got to be stopped. Dempsey Donovan can't fight him. Why, he'll - he'll kill him!' 'Ah, what do you care?' said Rosa. 'Don't some of 'em fight every hop? But Maggie was off, darting her zigzag way through the maze of dancers. She burst through the rear door into the dark hall and then threw her solid shoulder against the door of the room of single combat. It gave way, and in the instant that she entered her eye caught the scene - the Board standing about with open watches; Dempsey Donovan in his shirt-sleeves dancing, lightfooted, with the wary grace of the modern pugilist, within easy reach of his adversary; Terry O'Sullivan standing with arm folded and a murderous look in his dark eyes. And without slacking the speed of her entrance she leaped forward with a scream - leaped in time to catch and hang upon the arm of O'Sullivan that was suddenly uplifted, and to whisk from it the long, bright stiletto that he had drawn from his bosom.

But there would be sundry gentlemen there with large gold fob chains and black cigars; and somebody would tell a funny story, and then Dempsey would go back and work half an hour with the six-pound dumb-bells. So, doing a tight-rope act on a wire stretched across Niagara was a safe terpsichorean performance compared with waltzing twice with Dempsey Donovan's paperbox girl. At ten o'clock the jolly round face of 'Big Mike' O'Sullivan shone at the door for five minutes upon the scene. He always looked in for five minutes, smiled at the girls and handed out real perfectos to the delighted boys. Dempsey Donovan was at his elbow instantly, talking rapidly. 'Big Mike' looked carefully at the dancers, smiled, shook his head and departed. The music stopped. The dancers scattered to the chairs along the walls. Terry O'Sullivan, with his entrancing bow, relinquished a pretty girl in blue to her partner and started back to find Maggie. Dempsey intercepted him in the middle of the floor. Some fine instinct that Rome must have bequeathed to us caused nearly every one to turn and look at them - there was a subtle feeling that two gladiators had met in the arena. Two or three Give and Takes with tight coat-sleeves drew nearer. 'One moment, Mr. O'Sullivan,' said Dempsey. 'I hope you're enjoying yourself. Where did you say you lived? The two gladiators were well matched. Dempsey had, perhaps, ten pounds of weight to give away. The O'Sullivan had breadth with quickness. Dempsey had a glacial eye, a dominating slit of a mouth, an indestructible jaw, a complexion like a belle's and the coolness of a champion. The visitor showed more fire in his contempt and less control over his conspicuous sneer. They were enemies by the law written when the rocks were molten. They were each too splendid, too mighty, too incomparable to divide preeminence. One only must survive. 'I live on Grand,' said O'Sullivan insolently; 'and no trouble to find me at home. Where do you live?' Dempsey ignored the question. 'You say your name's O'Sullivan,' he went on. 'Well, "Big Mike" says he never saw you before.' 'Lots of things he never saw,' said the favourite of the hop. 'As a rule,' went on Dempsey, huskily sweet, 'O'Sullivans in this district know one another. You escorted one of our lady members here, and we want a chance to make good. If you've got a family tree let's see a few historical O'Sullivan buds come out on it. Or do you want us to dig it out of you by the roots?' 'Suppose you mind your own business,' suggested O'Sullivan blandly.

'A friend of mine, Mr. Terry O'Sullivan,' was Maggie's formula of introduction. She led him around the room, presenting him to each new-arriving Clover Leaf. Almost was she pretty now, with the unique luminosity in her eyes that comes to a girl with her first suitor and a kitten with its first mouse. 'Maggie Toole's got a fellow at last,' was the word that went round among the paper-box girls. 'Pipe Mag's floor-walker' - thus the Give and Takes expressed their indifferent contempt. Usually at the weekly hops Maggie kept a spot on the wall warm with her back. She felt and showed so much gratitude whenever a self-sacrificing partner invited her to dance that his pleasure was cheapened and diminished. She had even grown used to noticing Anna joggle the reluctant Jimmy with her elbow as a signal for him to invite her chum to walk over his feet through a two-step. But to-night the pumpkin had turned to a coach and six. Terry O'Sullivan was a victorious Prince Charming, and Maggie Toole winged her first butterfly flight. And though our tropes of fairyland be mixed with those of entomology they shall not spill one drop of ambrosia from the rose-crowned melody of Maggie's one perfect night. The girls besieged her for introductions to her 'fellow.' The Clover Leaf young men, after two years of blindness, suddenly perceived charms in Miss Toole. They flexed their compelling muscles before her and bespoke her for the dance. Thus she scored; but to Terry O'Sullivan the honours of the evening fell thick and fast. He shook his curls; he smiled and went easily through the seven motions for acquiring grace in your own room before an open window ten minutes each day. He danced like a faun; he introduced manner and style and atmosphere; his words came trippingly upon his tongue, and - he waltzed twice in succession with the paper-box girl that Dempsey Donovan brought. Dempsey was the leader of the association. He wore a dress suit, and could chin the bar twice with one hand. He was one of 'Big Mike' O'Sullivan's lieutenants, and was never troubled by trouble. No cop dared to arrest him. Whenever he broke a push-cart man's head or shot a member of the Heinrick B. Sweeney Outing and Literary Association in the kneecap, an officer would drop around and say: 'The Cap'n'd like to see ye a few minutes round to the office whin ye have time, Dempsey, me boy.'

But what was this? Instead of the customary humble and grateful thanks from the non-escorted one there was to be perceived a high-poised head, a prideful dimpling at the corners of a broad mouth, and almost a sparkle in a dull brown eye. 'Thanks, Anna,' said Maggie; 'but you and Jimmy needn't bother to-night. I've a gentleman friend that's coming 'round to escort me to the hop.' The comely Anna pounced upon her friend, shook her, chided and beseeched her. Maggie Toole catch a fellow! Plain, dear, loyal, unattractive Maggie, so sweet as a chum, so unsought for a two-step or a moonlit bench in the little park. How was it? When did it happen? Who was it? 'You'll see to-night,' said Maggie, flushed with the wine of the first grapes she had gathered in Cupid's vineyard. 'He's swell all right. He's two inches taller than Jimmy, and an up-to-date dresser. I'll introduce him, Anna, just as soon as we get to the hall.' Anna and Jimmy were among the first Clover Leafs to arrive that evening. Anna's eyes were brightly fixed upon the door of the hall to catch the first glimpse of her friend's 'catch.' At 8.30 Miss Toole swept into the hall with her escort. Quickly her triumphant eye discovered her chum under the wing of her faithful Jimmy. 'Oh, gee!' cried Anna, 'Mag ain't made a hit - oh, no! Swell fellow? Well, I guess! Style? Look at 'um.' 'Go as far as you like,' said Jimmy, with sandpaper in his voice. 'Cop him out if you want him. These new guys always win out with the push. Don't mind me. He don't squeeze all the limes, I guess. Huh!' 'Shut up, Jimmy. You know what I mean. I'm glad for Mag. First fellow she ever had. Oh, here they come.' Across the floor Maggie sailed like a coquettish yacht convoyed by a stately cruiser. And truly, her companion justified the encomiums of the faithful chum. He stood two inches taller than the average Give and Take athlete; his dark hair curled; his eyes and his teeth flashed whenever he bestowed his frequent smiles. The young men of the Clover Leaf Club pinned not their faith to the graces of person as much as they did to its prowess, its achievements in hand-to-hand conflicts, and its preservation from the legal duress that constantly menaced it. The member of the association who would bind a paper-box maiden to his conquering chariot scorned to employ Beau Brummel airs. They were not considered honourable methods of warfare. The swelling biceps, the coat straining at its buttons over the chest, the air of conscious conviction of the super-eminence of the male in the cosmogony of creation, even a calm display of bow legs as subduing and enchanting agents in the gentle tourneys of Cupid - these were the approved arms and ammunition of the Clover Leaf gallants. They viewed, then, the genuflexions and alluring poses of this visitor with their chins at a new angle.

داستان کوتاه The Coming-out of Maggie

EVERY SATURDAY NIGHT the Clover Leaf Social Club gave a hop in the hall of the Give and Take Athletic Association on the East Side. In order to attend one of these dances you must be a member of the Give and Take - or, if you belong to the division that starts off with the right foot in waltzing, you must work in Rhinegold's paper-box factory. Still, any Clover Leaf was privileged to escort or be escorted by an outsider to a single dance. But mostly each Give and Take brought the paper-box girl that he affected; and few strangers could boast of having shaken a foot at the regular hops. Maggie Toole, on account of her dull eyes, broad mouth and left-handed style of footwork in the two-step, went to the dances with Anna McCarty and her 'fellow.' Anna and Maggie worked side by side in the factory, and were the greatest chums ever. So Anna always made Jimmy Burns take her by Maggie's house every Saturday night so that her friend could go to the dance with them. The Give and Take Athletic Association lived up to its name. The hall of the association in Orchard Street was fitted out with musclemaking inventions. With the fibres thus builded up the members were wont to engage the police and rival social and athletic organizations in joyous combat. Between these more serious occupations the Saturday night hops with the paper-box factory girls came as a refining influence and as an efficient screen. For sometimes the tip went 'round, and if you were among the elect that tiptoed up the dark back stairway you might see as neat and satisfying a little welter-weight affair to a finish as ever happened inside the ropes. On Saturdays Rhinegold's paper-box factory closed at 3 p.m. On one such afternoon Anna and Maggie walked homeward together. At Maggie's door Anna said, as usual: 'Be ready at seven, sharp, Mag; and Jimmy and me'll come by for you.'

'What's this?' asked Joe, taking the hand tenderly and pulling at some white strands beneath the bandages. 'It's something soft,' said Delia, 'that had oil on it. Oh, Joe, did you sell another sketch?' She had seen the money on the table. 'Did I?' said Joe. 'Just ask the man from Peoria. He got his depot to-day, and he isn't sure but he thinks he wants another parkscape and a view on the Hudson. What time this afternoon did you burn your hand, Dele?' 'Five o'clock, I think,' said Dele plaintively. 'The iron - I mean the rabbit came off the fire about that time. You ought to have seen General Pinkney, Joe, when - ' 'Sit down here a moment, Dele,' said Joe. He drew her to the couch, sat down beside her and put his arm across her shoulders. 'What have you been doing for the last two weeks, Dele?' he asked. She braved it for a moment or two with an eye full of love and stubbornness, and murmured a phrase or two vaguely of General Pinkney; but at length down went her head and out came the truth and tears. 'I couldn't get any pupils,' she confessed. 'And I couldn't bear to have you give up your lessons; and I got a place ironing shirts in that big Twenty-fourth Street laundry. And I think I did very well to make up both General Pinkney and Clementina, don't you, Joe? And when a girl in the laundry set down a hot iron on my hand this afternoon I was all the way home making up that story about the Welsh rabbit. You're not angry are you, Joe? And if I hadn't got the work you mightn't have sold your sketches to that man from Peoria.' 'He wasn't from Peoria,' said Joe slowly. 'Well, it doesn't matter where he was from. How clever you are, Joe - and - kiss me, Joe - and what made you ever suspect that I wasn't giving music lessons to Clementina?' 'I didn't,' said Joe, 'until to-night. And I wouldn't have then, only I sent up this cotton waste and oil from the engine-room this afternoon for a girl upstairs who had her hand burned with a smoothing-iron. I've been firing the engine in that laundry for the last two weeks.' 'And then you didn't - ' 'My purchaser from Peoria,' said Joe, 'and General Pinkney are both creations of the same art - but you wouldn't call it either painting or music. And then they both laughed, and Joe began: 'When one loves one's Art no service seems - ' But Delia stopped him with her hand on his lips. 'No,' she said - 'just "When one loves."

'I wish you could see the wainscoting in that drawing-room, Joe! And those Astrakhan rug portières. And Clementina has such a funny little cough. I hope she is stronger than she looks. Oh, I really am getting attached to her, she is so gentle and high bred. General Pinkney's brother was once Minister to Bolivia.' And then Joe, with the air of a Monte Cristo, drew forth a ten, a five, a two and a one - all legal tender notes - and laid them beside Delia's earnings. 'Sold that water-colour of the obelisk to a man from Peoria,' he announced overwhelmingly. 'Don't joke with me,' said Delia - 'not from Peoria!' 'All the way. I wish you could see him, Dele. Fat man with a woollen muffler and a quill toothpick. He saw the sketch in Tinkle's window and thought it was a windmill at first. He was game, though, and bought it anyhow. He ordered another - an oil sketch of the Lackawanna freight depot - to take back with him. Music lessons! Oh, I guess Art is still in it.' 'I'm so glad you've kept on,' said Delia heartily. 'You're bound to win, dear. Thirty-three dollars! We never had so much to spend before. We'll have oysters to-night.' 'And filet mignon with champignons,' said Joe. 'Where is the olive fork?' On the next Saturday evening Joe reached home first. He spread his $18 on the parlour table and washed what seemed to be a great deal of dark paint from his hands. Half an hour later Delia arrived, her right hand tied up in a shapeless bundle of wraps and bandages. 'How is this?' asked Joe after the usual greetings. Delia laughed, but not very joyously. 'Clementina,' she explained, 'insisted upon a Welsh rabbit after her lesson. She is such a queer girl. Welsh rabbits at five in the afternoon. The General was there. You should have seen him run for the chafing dish, Joe, just as if there wasn't a servant in the house. I know Clementina isn't in good health; she is so nervous. In serving the rabbit she spilled a great lot of it, boiling hot, over my hand and wrist. It hurt awfully, Joe. And the dear girl was so sorry! But General Pinkney! - Joe, that old man nearly went distracted. He rushed downstairs and sent somebody - they said the furnace man or somebody in the basement - out to a drug store for some oil and things to bind it up with. It doesn't hurt so much now.'

'That's all right for you, Dele,' said Joe, attacking a can of peas with a carving knife and a hatchet, 'but how about me? Do you think I'm going to let you hustle for wages while I philander in the regions of high art? Not by the bones of Benvenuto Cellini! I guess I can sell papers or lay cobblestones, and bring in a dollar or two.' Delia came and hung about his neck. 'Joe, dear, you are silly. You must keep on at your studies. It is not as if I had quit my music and gone to work at something else. While I teach I learn. I am always with my music. And we can live as happily as millionaires on $15 a week. You mustn't think of leaving Mr. Magister.' 'All right,' said Joe, reaching for the blue scalloped vegetable dish. 'But I hate for you to be giving lessons. It isn't Art. But you're a trump and a dear to do it.' 'When one loves one's Art no service seems too hard,' said Delia. 'Magister praised the sky in that sketch I made in the park,' said Joe. 'And Tinkle gave me permission to hang two of them in his window. I may sell one if the right kind of a moneyed idiot sees them.' 'I'm sure you will,' said Delia sweetly. 'And now let's be thankful for General Pinkney and this veal roast.' During all of the next week the Larrabees had an early breakfast. Joe was enthusiastic about some morning-effect sketches he was doing in Central Park, and Delia packed him off breakfasted, coddled, praised, and kissed at seven o'clock. Art is an engaging mistress. It was most times seven o'clock when he returned in the evening. At the end of the week Delia, sweetly proud but languid, triumphantly tossed three five-dollar bills on the 8 by 10 (inches) centre table of the 8 by 10 (feet) flat parlour. 'Sometimes,' she said, a little wearily, 'Clementina tries me. I'm afraid she doesn't practise enough, and I have to tell her the same things so often. And then she always dresses entirely in white, and that does get monotonous. But General Pinkney is the dearest old man! I wish you could know him, Joe. He comes in sometimes when I am with Clementina at the piano - he is a widower, you know - and stands there pulling his white goatee. "And how are the semiquavers and the demi-semiquavers progressing?" he always asks.

Joe was painting in the class of the great Magister - you know his fame. His fees are high; his lessons are light - his high-lights have brought him renown. Delia was studying under Rosenstock - you know his repute as a disturber of the piano keys. They were mighty happy as long as their money lasted. So is every - but I will not be cynical. Their aims were very clear and defined. Joe was to become capable very soon of turning out pictures that old gentlemen with thin side-whiskers and thick pocketbooks would sandbag one another in his studio for the privilege of buying. Delia was to become familiar and then contemptuous with Music, so that when she saw the orchestra seats and boxes unsold she could have sore throat and lobster in a private dining-room and refuse to go on the stage. But the best, in my opinion, was the home life in the little flat - the ardent, voluble chats after the day's study; the cosy dinners and fresh, light breakfasts; the interchange of ambitions - ambitions interwoven each with the other's or else inconsiderable - the mutual help and inspiration; and - overlook my artlessness - stuffed olives and cheese sandwiches at 11p.m. But after awhile Art flagged. It sometimes does, even if some switchman doesn't flag it. Everything going out and nothing coming in, as the vulgarians say. Money was lacking to pay Mr. Magister and Herr Rosenstock their prices. When one loves one's Art no service seems too hard. So, Delia said she must give music lessons to keep the chafing dish bubbling. For two or three days she went out canvassing for pupils. One evening she came home elated. 'Joe, dear,' she said gleefully, 'I've a pupil. And, oh, the loveliest people! General - General A. B. Pinkney's daughter - on Seventyfirst Street. Such a splendid house, Joe - you ought to see the front door! Byzantine I think you would call it. And inside! Oh, Joe, I never saw anything like it before. 'My pupil is his daughter Clementina. I dearly love her already. She's a delicate thing - dresses always in white; and the sweetest, simplest manners! Only eighteen years old. I'm to give three lessons a week; and, just think, Joe! $5 a lesson. I don't mind it a bit; for when I get two or three more pupils I can resume my lessons with Herr Rosenstock. Now, smooth out that wrinkle between your brows, dear, and let's have a nice supper.'

 داستان کوتاه A Service of Love

WHEN ONE LOVES ONES ART no service seems too hard. That is our premise. This story shall draw a conclusion from it, and show at the same time that the premise is incorrect. That will be a new thing in logic, and a feat in story-telling somewhat older than the Great Wall of China. Joe Larrabee came out of the post-oak flats of the Middle West pulsing with a genius for pictorial art. At six he drew a picture of the town pump with a prominent citizen passing it hastily. This effort was framed and hung in the drug store window by the side of the ear of corn with an uneven number of rows. At twenty he left for New York with a flowing necktie and a capital tied up somewhat closer. Delia Caruthers did things in six octaves so promisingly in a pine-tree village in the South that her relatives chipped in enough in her chip hat for her to go 'North' and 'finish.' They could not see her f -, but that is our story Joe and Delia met in an atelier where a number of art and music students had gathered to discuss chiaroscuro, Wagner, music, Rembrandt's works pictures, Waldteufel, wall-paper, Chopin, and Oolong. Joe and Delia became enamoured one of the other or each of the other, as you please, and in a short time were married - for (see above), when one loves one's Art no service seem too hard. Mr. and Mrs. Larrabee began housekeeping in a flat. It was a lonesome flat - something like the A sharp way down at the lefthand end of the keyboard. And they were happy; for they had their Art and they had each other. And my advice to the rich young man would be - sell all thou hast, and give it to the poor - janitor for the privilege of living in a flat with your Art and your Delia. Flat-dwellers shall endorse my dictum that theirs is the only true happiness. If a home is happy it cannot fit too close - let the dresser collapse and become a billiard table; let the mantel turn to a rowing machine, the escritoire to a spare bedchamber, the washstand to an upright piano; let the four walls come together, if they will, so you and your Delia are between. But if home be the other kind, let it be wide and long - enter you at the Golden Gate, hang your hat on Hatteras, your cape on Cape Horn, and go out by Labrador.

That is all. Is it a story? In the next morning's paper I saw a little news item, and the last sentence of it may help you (as it helped me) to weld the incidents together. It recounted the reception into Bellevue Hospital of a young woman who had been removed from No. 49 East - Street, suffering from debility induced by starvation. It concluded with these words: 'Dr. William Jackson, the ambulance physician who attended the case, says the patient will recover.'